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Tekever raises $580 million as investors back Ukraine-honed defence tech firm

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Autonomous systems developer Tekever announced Wednesday it secured 580 million dollars in the first close of a Series D funding round led by UC Investments and Baillie Gifford, valuing the defense technology company at 6.4 billion dollars. The firm stated the capital will fund international expansion, increased manufacturing capabilities, strategic acquisitions, and the accelerated development of artificial intelligence-powered autonomous systems. Founded in Portugal in 2001 and currently headquartered in Britain, Tekever has expanded rapidly amid rising European defense spending. The company converted over 50,000 operational flight hours flown in Ukraine since 2022 into institutional military contracts, notably securing a selection for the British Army's CORVUS drone surveillance program. By combining aircraft, software, and intelligence services, Tekever positions itself as an integrated surveillance provider rather than a traditional hardware manufacturer. Investors noted that its software-centric operational model enables rapid transition from technology concepts to deployable military capabilities in active security environments.

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Robert Pattinson brings ‘To Catch a Predator’ to life in new film ‘Primetime’

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Actor Robert Pattinson stars in Primetime, a dramatic feature film directed by Lance Oppenheim that explores the cultural phenomenon of NBC Dateline’s controversial 2000s investigative segment, To Catch a Predator. The project dramatizes the partnership between the television program and the online watchdog group Perverted Justice, which staged stings involving individuals accused of soliciting minors. Filmmakers describe the movie as a dark, fever-dream meditation on performance, media mechanics, and morality, drawing thematic comparisons to classic media satires. Production arrives amid heightened public interest following David Osit’s documentary Predators and public pushback from former host Chris Hansen, who criticized the dramatic project prior to its release. The film examines the psychological and societal footprint left by prime-time sting operations and the evolution of television news into infotainment spectacles.

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