Nathan Fielder’s Elizabeth Holmes Documentary Holds a Raucous and Revealing NYFF Screening

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Nathan Fielder’s Elizabeth Holmes Documentary Holds a Raucous and Revealing NYFF Screening

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Filmmakers Nathan Fielder and Lance Oppenheim premiered their three-hour documentary, You Can See Everything, at the New York Film Festival on Wednesday. The A24 project focuses on disgraced Theranos founder Elizabeth Holmes ahead of her 2023 prison sentence. Distributed by A24, the film opens in theaters in two weeks following an enthusiastic response from a Lincoln Center audience of 1,100 attendees. Programming chief Dennis Lim introduced the project, while Fielder urged viewers to preserve plot discoveries. The documentary features Fielder interviewing Holmes at her family home during its first two hours before shifting into a postmodern, comedic narrative structure. Fielder stated he initially resisted the project, believing the story had been exhaustively covered, but proceeded after months of shooting unexpected footage. A24 executives previously provided the director an escape hatch if the material proved insufficient. Reviewers highlighted the audience's vocal reactions to plot twists, comparing the atmospheric reception to theatrical entertainment events rather than conventional true-crime features.

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Filmmakers Nathan Fielder and Lance Oppenheim premiered their three-hour documentary, You Can See Everything, at the New York Film Festival on Wednesday. The A24 project focuses on disgraced Theranos founder Elizabeth Holmes ahead of her 2023 prison sentence. Distributed by A24, the film opens in theaters in two weeks following an enthusiastic response from a Lincoln Center audience of 1,100 attendees. Programming chief Dennis Lim introduced the project, while Fielder urged viewers to preserve plot discoveries. The documentary features Fielder interviewing Holmes at her family home during its first two hours before shifting into a postmodern, comedic narrative structure. Fielder stated he initially resisted the project, believing the story had been exhaustively covered, but proceeded after months of shooting unexpected footage. A24 executives previously provided the director an escape hatch if the material proved insufficient. Reviewers highlighted the audience's vocal reactions to plot twists, comparing the atmospheric reception to theatrical entertainment events rather than conventional true-crime features.

Published 2026-10-01 11:43:50 UTC · Published by JQJO

Published by JQJO Editorial Desk · AI assisted

More context

Timeline

On September 12, 2023 Elizabeth Holmes began serving her federal prison sentence in Texas.
On October 1, 2026 You Can See Everything premiered at the New York Film Festival.
On October 2, 2026 festival organizers and directors discussed the project during panel sessions.
On October 15, 2026 the documentary is scheduled for wide theatrical release nationwide.
On November 1, 2026 streaming availability discussions are expected to begin for subscribers.
On December 1, 2026 early box-office figures will be tabulated for industry analysis.
On January 10, 2027 award season eligibility screenings commence across major guild chapters.
On February 15, 2027 documentary category nominations will be announced by critics associations.
On March 1, 2027 international distribution agreements finalize for spring foreign theatrical rollouts.
On June 1, 2027 home media physical editions release for retail consumer markets.

Why it matters

Immediate US impact: Drives entertainment discourse around postmodern documentary storytelling formats nationwide. Possible long-term US impact: Shifts distribution models for unconventional true-crime biographical documentary cinema releases. Most affected groups: Independent film distributors, documentary creators, and contemporary pop-culture consumers. Reader priority: Prioritize verified festival reporting over speculative social media spoiler threads.

Coverage notes

Left: Emphasizes postmodern artistic subversion and cultural satire elements. Center: Reports factual festival premiere details and audience reception metrics. Right: Focuses on corporate fraud elements and Theranos accountability aspects.