LOS ANGELES, United States – Independent horror films "Backrooms" and "Obsession" have topped the global box office, surpassing the latest installment of the long-running "Star Wars" franchise on opening weekend, according to industry data. Both projects were directed and produced by independent, social media–native creators, marking the first time such productions have held the top two positions worldwide at the same time. Twenty-year-old filmmaker Kane Parsons, who first gained recognition on YouTube, directed "Backrooms," which analysts cite as the biggest opening ever for an original horror film and the first number-one global release by a director of his age. The strong performance of "Backrooms" and "Obsession" has drawn attention from studio executives, market analysts and trade publications such as the Hollywood Reporter, which describe the outcome as unprecedented in recent box office history. Observers say the results indicate a shift in audience preferences away from traditional studio tentpoles toward projects developed by online creators and expanded into theatrical features. Parsons has discussed his creative process in recent media interviews, emphasizing his roots in digital content and stating that he does not plan to rely on artificial intelligence tools in his filmmaking. Industry analysts are examining how these creator-led horror titles, built on existing digital followings, may influence future production, marketing and distribution strategies for independent films.
Prepared by Emily Rhodes and reviewed by editorial team.
《Backrooms》和《Obsession》的成功表明观众偏好发生了转变。人们越来越青睐网络创作者制作的独立电影。如果你是恐怖片或独立电影的爱好者,这可能意味着未来会有更多样的选择。
凯恩·帕森斯(Kane Parsons),一位年轻的电影制作人,正在搅动行业。他的电影《后室》(Backrooms)创下了原创恐怖片的新纪录。这表明社交媒体创作者也能在好莱坞大放异彩。如果你认识一位有前途的电影制作人,值得转发。
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