CONCORD, N.H. - Curt Teich, a German immigrant and printer, began producing colorful linen-textured large-letter 'Greetings from' postcards in the early 1930s, and the Newberry Library in Chicago now holds the largest public collection of his work. Will Hansen, the library's curator of Americana, called Teich "kind of a genius" and said the company perfected a system of mass-producing large-letter cards, applying the idea that no town was too small to include. Teich's process emphasized saturated colors and simplified scenes that painted an enticing view of mid-20th-century America. The cards became widely popular in the 1940s through the 1960s as Americans embraced automobile travel; Hansen said they looked optimistic and matched a sense that the country was on an upward trajectory. Collectors prize the graphics: retired professor Peter Meggison has about 10,000 large-letter postcards, citing hometown New Bedford and a Saugatuck card with an artist's palette among his favorites. For many travelers the cards were an inexpensive way to share trips, and today mural-sized postcard images and social media posts echo the vintage designs; the Newberry even helped stage giant postcard backgrounds for The Eagles at the Sphere in Las Vegas.
Prepared by Emily Rhodes and reviewed by editorial team.
科特·泰奇的明信片是美国风情的一部分。它们捕捉了一个时代,当时公路旅行是一场新的冒险,每个城镇都有可看的东西。如果您是复古设计或历史的爱好者,请在线查看新伯里图书馆的馆藏。这是一次免费的怀旧之旅。
Teich 的“来自……的问候”明信片塑造了美国文化,提供了 20 世纪中叶生活的多彩、乐观的景象。它们不仅仅是收藏品,更是我们国家过去的证明。如果你认识一个喜欢怀旧之旅的人,值得转寄。
收藏家、明信片经销商、博物馆和旅游推广者都从泰希的大众分销模式和大型字母明信片的持久受欢迎程度中受益。
那些无法与柯蒂斯·泰奇的大规模生产方法相媲美的独立本地印刷商,在明信片扩张期间失去了市场份额和商业机会。
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