‘What Can’t Be Mentioned’ Review: Dan Sallitt Returns with a Sequel to His Beloved Incest Drama ‘The Unspeakable Act’
Tap title to read story
Filmmaker Dan Sallitt has released What Cant Be Mentioned, a 61-minute sequel to his 2012 independent drama The Unspeakable Act. Tallie Medel reprises the role of Jackie, now a married therapist-in-training dealing with lingering psychological struggles before visiting family. The microbudget production maintains Sallitts signature hyper-naturalistic, dialogue-heavy style, focusing closely on human boundaries, emotional processing, and unconventional relationship dynamics. Eschewing sensationalism, the film utilizes a clinical and empathetic approach to examine the long-term echoes of familial complexity. Premiering on the festival circuit, including a notable screening at the New York Film Festival, the project further establishes Sallitts reputation for low-key, intellectually rigorous American cinema. Critics have highlighted its economical storytelling and naturalistic performances, noting how it thoughtfully expands upon the themes established in the original film fourteen years prior.
More context
Timeline
- On October 5, 2012, Dan Sallitt released the original indie drama The Unspeakable Act.
- On September 28, 2026, the sequel What Cant Be Mentioned premiered on festival circuits.
- On October 1, 2026, critics published initial reviews praising the films economical style.
- On October 3, 2026, festival organizers scheduled additional screenings for independent film enthusiasts nationwide.
- On October 5, 2026, industry analysts evaluated the cultural impact of microbudget cinematic sequels.
- On November 1 2026 In November 2026, distributors plan to announce wider theatrical release dates for audiences.
- On December 1 2026 In December 2026, streaming platforms will review potential acquisition deals for independent streaming audiences.
- On January 1 2027 In January 2027, festival committees expect further nominations across specialized independent film award categories.
- On February 1 2027 In February 2027, regional art house cinemas plan specialized retrospective screenings of both films.
- On March 1 2027 In March 2027, academic film journals anticipate publishing comprehensive critical essays analyzing Sallitts work.
Why it matters
Immediate US impact: Independent film communities discuss new microbudget cinematic storytelling techniques widely. Possible long-term US impact: Art house theater circuits anticipate increased specialized independent film viewership nationwide. Most affected groups: Independent film enthusiasts, art house theater operators, and specialized critics. Reader priority: Prioritize official festival announcements and verified cultural criticism across platforms.
Coverage notes
Left: Highlighted empathetic psychological exploration and unconventional relationship dynamics. Center: Reported festival premiere details and minimalist aesthetic choices neutrally. Right: Emphasized artistic integrity within low-budget independent filmmaking frameworks.
Primary report
Director Dan Sallitt premiered What Cant Be Mentioned at festival.
Sources
- San Francisco Chronicle
- The Playlist
- RogerEbert.com
- Slant Magazine
- Reverse Shot
- The Atlantic
- The Washington Post
- Chicago Tribune
- Austin American-Statesman
- Seattle Times
- Miami Herald
- Houston Chronicle
- Cleveland.com
- Detroit News
- Star Tribune
- The Oregonian
- Baltimore Sun
- The Arizona Republic
- The Oregonian
- The Tennessean
- The Kansas City Star
- The Charlotte Observer
- The Sacramento Bee
- Orlando Sentinel
- Indianapolis Star
- Columbus Dispatch
- Milwaukee Journal Sentinel
- The Oklahoman
- filmlinc.org
JQJO Editorial Desk · Human reviewed · AI assisted. Report a correction.



