Los Angeles, United States – A sharply negative review of DC Studios’ film Supergirl by Variety chief film critic Owen Gleiberman has ignited widespread criticism across Hollywood and social media. Published shortly after the movie’s June 26, 2026 theatrical release, the review castigated Craig Gillespie’s direction and Ana Nogueira’s screenplay, with Gleiberman calling the script “super-horrendous” and “the worst script I can remember.” The film, starring Milly Alcock as Kara Zor-El, opened to a disappointing $38 million domestically and $68 million globally, well below expectations for a production reported to cost $170 million with an additional $120 million spent on marketing. Los Angeles, United States – The strongest backlash has focused on Gleiberman’s remarks about Alcock’s appearance, which many readers, commentators and industry professionals have condemned as sexist and inappropriate. In the review, he wrote that the 26-year-old Australian actress looked like “Kristy McNichol crossed with the Feral Kid from ‘The Road Warrior’ in oversize Penny Lane sunglasses,” a comparison critics say crosses professional boundaries by attacking an actor’s looks instead of assessing performance or characterization. Commentators also argue that male-led superhero films that underperform seldom subject their leading men to similar scrutiny over physical attractiveness, framing the controversy as part of a broader debate about gendered double standards in film criticism.
Prepared by Emily Rhodes and reviewed by editorial team.
This controversy highlights the ongoing debate about gender bias in film criticism. It's a reminder to be aware of how media can perpetuate stereotypes. Check reviews for fairness and balance before deciding what to watch.
Sexism in film criticism is a real issue. This incident with Variety's review of Supergirl is just the latest example. It's a call for critics to focus on performance, not appearance. Worth forwarding if you believe in fair representation in media.
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